FLORA OBSCURA OPEN STUDIO:

Notes, experiments,

& knowledge

from THE atelier

A rustic table with stacks of white napkins, two plates of colorful flowers, a window with sunlight, and floral curtains in a sunlit room.

Welcome to the Flora Obscura Open Studio—an open corner of the atelier devoted to learning, experimentation, and the first steps into botanical printing.

Here, you’ll find a growing collection of free resources for beginner botanical printers: foundational guides, material lists, simple techniques, and thoughtful insights drawn from my studio practice. From understanding natural fibers and mordants to working with leaves, flowers, and pigment, each offering is designed to help you begin with clarity and confidence.

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Flora Obscura: When the Garden Becomes the Art

Some artists work with nature, and then there are artists who let nature lead. Alison Kelly—textile artist, author, and founder of Flora Obscura—belongs firmly in the second camp. Through the ancient alchemy of botanical printing and natural dyeing, Kelly has built a practice rooted in curiosity, collaboration, and the quiet intelligence of plants. Her newly released book, Printing from the Garden (Storey/Hachette), documents 30 distinct plants and their effects on fiber—a field guide to a world most of us walk past every day without seeing.

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Printing Red with Eucalyptus Leaves

Eucalyptus leaves hold a rare kind of magic — when steamed into silk and wool, they release shades of rust, rose, and deep red. This natural dye process is part science, part alchemy, revealing the hidden colors of the plant world. In this post, I share how to coax those reds from eucalyptus and bring the warmth of nature into cloth.

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The Beauty of Botanical Sleep

For centuries, silk has been cherished as the most skin-friendly fiber — a natural protein filament spun by silkworms, almost identical to human hair in composition. Its smooth surface minimizes friction, helping to prevent sleep creases and protect delicate hair from breakage.

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